CONCEPTUAL DEVELOPMENT AND SITE RESPONSE
Space layout sketches in relation to tensile monument, demonstrating rest to active spaces
(bathing / sleeping / resting / eating / working / fishing)
(bathing / sleeping / resting / eating / working / fishing)
Arrangement 1 alternated space allocation along the vertical axis.
Arrangement 2 alternated space allocation along the vertical axis, compressed in width.
Arrangement 3 alternated space allocation along the vertical axis, compressed in length.
Arrangement 2 alternated space allocation along the vertical axis, compressed in width.
Arrangement 3 alternated space allocation along the vertical axis, compressed in length.
These arrangements respected the linear separation and adjacency in the conceptual program, but the working / resting relationship was diminished.
The next arrangements grouped private (bathing / sleeping / resting / eating) and public (working / fishing) into two separate 'groups', with the eating module bridging the gap between private and public.
Arrangement 4 allocated space in groups.
Arrangement 5 allocated space in groups, compressed in width.
Arrangement 5 allocated space in groups, compressed in width.
Arrangement 5 was chosen for space conservation, as well as overlapping usage to create a relationship between adjacent spaces.
Plan-to-Elevation sketches explore linear and staggered heights to demonstrate the PARTI.
An acknowledgement to host spaces off a tensile monument resulting in angular shapes begins to evolve, as well as separating spaces in a vertical arrangement.
An acknowledgement to host spaces off a tensile monument resulting in angular shapes begins to evolve, as well as separating spaces in a vertical arrangement.
Space Layouts
Arrangement 1
Arrangement 2
Arrangement 3
Arrangement 4
Arrangement 5 (Chosen)
Plan-to-Elevation
INITIAL MASSING
Arrangement 5 staggered as 'stair steps' and arranged along a 'single' level.
Spaces are massed into cuboids.
Tension monument extends vertically.
Spaces are massed into cuboids.
Tension monument extends vertically.
Some landscaping demonstrates history of physical manipulation of land.
Grid arrangement contrasts with the radial space arrangement, furthering the concept of tension.
Grid arrangement contrasts with the radial space arrangement, furthering the concept of tension.
ADAPTED SPACE ARRANGEMENT
Arrangement 5 oriented as a radial hosted from the tensile monument, and
arranged at 2 levels to separate 'active/rest' spaces.
arranged at 2 levels to separate 'active/rest' spaces.
The Bridge and Bay are at the same level, the spaces become closely related.
While the Galley is at the first level, it is raised slightly and implies a separated space.
The Galley is a private eating space which can also host public activity.
The Galley is a private eating space which can also host public activity.
The Berth and Heads are at the second level, closest to the land, and enclosed for the most privacy.
The Saloon is located to the exterior for private rest and recreation.
ADAPTED MASSING - SOLIDS
Spaces are massed into cuboids.
Tension monument extends vertically.
Tension monument extends vertically.
Landscaping elements are removed to focus on the structure's form.
A separation between the structure and landform establishes an atmosphere of suspended tension.
A separation between the structure and landform establishes an atmosphere of suspended tension.
ADAPTED MASSING - OPTION A - VOIDS
Option A demonstrates the adapted space arrangement and voids/openings in response to the site.
U-planes establish visual inertia towards the West - Scotch Pond connection to the Fraser River.
South openings are minimized to avoid solar heat gain, and to separate private-public spaces.
North openings enable natural daylight to reach into the central interior space, and establish a visual relationship to the existing heritage boatworks building.
South openings are minimized to avoid solar heat gain, and to separate private-public spaces.
North openings enable natural daylight to reach into the central interior space, and establish a visual relationship to the existing heritage boatworks building.
Descending down the private stairs on the north side provides the most privacy,
while creating an atmosphere of descending down into the water.
Ascending up the stairs creates an atmosphere of rising up from the water.
while creating an atmosphere of descending down into the water.
Ascending up the stairs creates an atmosphere of rising up from the water.
A higher resting space creates a platform separate from the water, a transition between land and sea.
The Galley views intersect with the main entry to establish a welcoming eating space with views to the West. South and East enclosures provide some privacy in this space.
The arrangement maximizes views of the site and light from the interior.
Movement through the space are strong gestures.
Movement through the space are strong gestures.
ADAPTED MASSING - OPTION B - VOIDS
Option B demonstrates a flipped orientation of the adapted space arrangement and voids/openings in response to the site.
U-planes establish visual inertia towards the West - Scotch Pond connection to the Fraser River.
South openings are minimized to avoid solar heat gain, and to separate private-public spaces.
North openings enable natural daylight to reach into the Galley, and establish a strong visual relationship to the site.
South openings are minimized to avoid solar heat gain, and to separate private-public spaces.
North openings enable natural daylight to reach into the Galley, and establish a strong visual relationship to the site.
Descending down the private stairs on the south side establishes a relationship to the land and main entry. Intersecting views with the main entry creates an atmosphere of exiting enclosure.
Ascending up the stairs creates an atmosphere receding into private space.
Ascending up the stairs creates an atmosphere receding into private space.
A higher resting space creates a platform separate from the water, a transition between land and sea.
The Galley views intersect with the dock entry to establish a private eating space with close relationships with the existing heritage boatworks building and South empty lot.
The arrangement maximizes views of the existing heritage building from the interior.
Reflection and privacy are strong elements.
Reflection and privacy are strong elements.
CONCEPTUAL MASSING - TRANSLATION
Option A is selected for meeting the PARTI requirements, while also arranging spaces to have strong gestures of movement.
The massing is translated in response to the site and PARTI.
The history of Scotch Pond's topographical and functional use are demonstrated in a tensile form towards a totemic mast. Parallels to a sail, net, and dredged land are remarked.
A dynamic form carries a mass stretched towards the east.
The strong uninterrupted gestures indicate an aspiration to go beyond history towards the sky.
The strong uninterrupted gestures indicate an aspiration to go beyond history towards the sky.
The cantilevered form creates an implied separation between the built form and land form.
Tension is created in the separation of these planes, but also clearly demonstrates two axes at grade (horizontal beam and curved with shore).
Tension is created in the separation of these planes, but also clearly demonstrates two axes at grade (horizontal beam and curved with shore).
CONCEPTUAL MASSING - TRUNCATION
A truncation molds the form to be complementary to the existing heritage building.
The truncation is also located to provide maximum sunlight into the private bathing area, while also fully enclosing the space for privacy.
The truncation is also located to provide maximum sunlight into the private bathing area, while also fully enclosing the space for privacy.
An angled truncation implies visual intersection hosted at the mast.
A gap wants for the visual space to be filled.
A gap wants for the visual space to be filled.
CONCEPTUAL DESIGN
Structural cables fill the gap and reinforce the visual aspect of intentional tensile force.
The primary mast is angled to emphasize a pulling intent.
The secondary mast is set to the top height of the second level to create a relationship.
The secondary mast is angled away from the primary mast in counter point, and emphasize the tensile force while also hosting the entry path. The PARTI is emphasized in the approach.
The primary mast is angled to emphasize a pulling intent.
The secondary mast is set to the top height of the second level to create a relationship.
The secondary mast is angled away from the primary mast in counter point, and emphasize the tensile force while also hosting the entry path. The PARTI is emphasized in the approach.
Openings at the roof plane enable for maximum natural lighting.
Openings at the second level enable light to pass into the first floor.
Openings at the second level enable light to pass into the first floor.
Openings at the north stairwell create a panoramic view of the existing heritage building, while also directing visual attention up and down the stairs (toward the sky or water). Situated at the north side, comfortable natural light is also funneled into the first floor central spaces.
Openings at the South and North selectively ensure privacy, while also emphasizing the dynamic form and lightening the visual weight of the studio.
CONCEPTUAL DESIGN REVISED
The 3D model is parsed down to architectural elements (removed mullions) to demonstrate design intent, rather than fidelity.
The counter-mast at the main entry has been removed, as it served only to support the main entry and somewhat detracted from the weight and tension originating from the primary mast.
Walls and openings simulate solar studies from sunrise to sunset.
Natural light is mitigated during private hours, and is directed to the main level during midday working hours. Conceptual renders explore natural and artificial lighting during day and night periods.
Natural light is mitigated during private hours, and is directed to the main level during midday working hours. Conceptual renders explore natural and artificial lighting during day and night periods.
